I finally broke into the 5' wide roll of Fabriano watercolour paper which I bought in a flurry of enthusiasm nearly two years ago. Yes, sometimes it takes a while to get around to doing things. This was verging on the ridiculous, so when I knew we were to be painting landscapes at art class yesterday morning, it was time. The paper is deliciously thick (300g for those of you who are interested), more like card than paper. I did have to cut it, sadly, as I don't have a board large enough to put it on to paint. It stayed rolled after cutting, so I wet it, stretched it and taped it onto the widest board I own (a great £2 offcut from a well known DIY store). There is something very satisfying about this process of preparing the paper. Almost like a meditation.
And then, finally, to painting. My favourite brush was nowhere to be found (a 1 1/2 inch wide woodwork brush), so I picked up a wide brush with a long wooden handle. It has a proper name, which I can't recall now. It may come to me. I love using a big brush and lots of water. I may even see if I can acquire something bigger. The only limitation is the size of the watercolour pans of paint. There is always a way. Some of the day's efforts are shown above; they will be on show from next weekend at my North East Open Studios event with Art at the Phoenix at the Phoenix Centre at Newton Dee (I am number 263 in the book this year).