"Good, occasionally poor" 80cm x 22cm approx.
Happy New Year! Wishing you peace, health and happiness throughout 2019.
Some dates for your diaries. Looking quite far ahead...
3-29 June : Solo exhibition at The Acorn Centre, Inverurie.
22-25 August : taking part in the annual MBC festival art exhibition. At the Phoenix Centre, Newton Dee, Aberdeen.
14-23 September : North East Open Studios. Happy to be part of Art at the Phoenix again, at the Phoenix Centre, Newton Dee, Bieldside, Aberdeen.
"Fair. Moderate or Good." 98cm x 24cm approx.
Thank you so much to everyone who took the time to come and visit the Phoenix Centre at Newton Dee during North East Open Studios last month (October already, how did that happen?!). It is always lovely to catch up with old friends and to meet new folk. Many interesting conversations were had, and the overwhelmingly positive feedback about my new work was very much appreciated. It turns out that lots of you are very fond of the colour blue!
I often find myself listening more than talking, during NEOS, which suits me fine as I am more naturally a listener than a talker. And so it was that I came away enriched by Shipping Forecast related stories; the lady who had the "Sailing By" tune played at her seafaring father's funeral, the friend who came to hate geography lessons at school, because they were made to transcribe the shipping forecast as it was broadcast, and she could never keep up. Another visitor who lamented listening to the midnight broadcast, as it meant that, once again, she could not sleep.
There were other stories too - an older gentleman who had been a cabin boy on a boat which sailed up and down the west coast of Scotland in the 1960's, who recognised the view of the Torridon mountains from Gairloch, in one of my paintings. He told me what his weekly wages were, and that beer in those days was 6d a pint (not that he was drinking it at 16, of course...). I love this sparking of memories which my work can produce; that recognition of a place, or a time, or a feeling. To me, that's one of the best parts of NEOS.
A word that I heard many time during the week about my Shipping Forecast series of paintings was "atmospheric". I'll take that, thank you.
Many thanks again to all who came to visit; your interest and support is greatly appreciated.
In the meantime, if you would like to get hold of my cards or other items, please see my Stockists page for where you can find them. Some items are also available from my online Shop here on my website.
This will be my eighth year taking part in NEOS (North East Open Studios). I'm number 269 in the book this year and will be at the Phoenix Centre at Newton Dee in Bieldside in Aberdeen again. Eleven artists and makers will show their work there; we call ourselves "Art at the Phoenix". There will be a lovely mix of paintings, mixed media work, textiles, ceramics, fused glass, wooden furniture and more. Delighted to be part of it again - also thrilled that my daughter, Ailsa (number 268 in the book) is showing her textiles and illustration work at the same venue. Looking forward to welcoming visitors!
We will be open daily 10am - 4pm, from Saturday 8th - Sunday 16th September.
I will have some new work on show - a series of paintings with titles such as "Rising Slowly" and "Backing Southwesterly", based on The Shipping Forecast - the weather programme on Radio 4. They are mostly sea and skyscapes, inspired by the coast and ever changing light on the west coast of Scotland.
I've also been experimenting with lino printing and collage this year, and will have some of this work on display as well.
I have continued to do watercolour sketches throughout the year, so will have some new card designs available. Look forward to seeing you soon!
It's that time of year again, somehow. The annual MBC (Milltimber. Bieldside and Cults) Festival is about to start (and it is raining, sadly). The Art Exhibition has become a fixture in this event, with the opening marking the start of the festival each year. It includes work by local artists, or those who work or attend classes in the area. I'm exhibiting again this year, with half a dozen paintings on show, including some new work. I also have some limited edition prints available, as well as a small selection of greetings cards.
New for this year, we have two tables of "CD artwork" - original pieces all donated by the artists, CD case-sized - for sale at the bargain price of £5 each! The money raised will be used to help fund the exhibition for following years, as it has made a loss in recent times. There are some lovely works available - as well as a great range of framed art on the walls, of course!
So, lots of see and enjoy - a great range of framed work, also a large selection of mounted pieces, both originals and prints, as well as greetings cards and also some beautiful pieces of turned wood. Not forgetting teas, coffees and cakes at the weekend!
Hope to see you there.
I recently took part in the Art Fair which was part of the Scottish Traditional Boat Festival in Portsoy. The weather was fantastic all weekend, hot and sunny, which made for a great time down at the harbour for all the boat-related events. Inspired by the boating theme, I developed some new pieces of work, using mixed media for a change from my usual watercolours. This year I have been keen to recycle old work; repurposing, upcycling, whatever you like to call it. Not using new materials, wherever possible. So I gathered some paintings which I felt hadn't "worked" - or did not stand alone - bright acrylics and some small watercolour studies. Added to the materials pile were an old book of sheet music (classical music, as it happens), sheets torn from magazines and also the coloured nets which I've bought fruit in (mainly oranges). Last but not least, I cut out some of my little lino-print boats, some of which had been printed on watercolour studies. I simply gathered what I had to hand.
And then the fun began; it took longer than I thought to find pleasing compositions. Perhaps they are not even that. Patterns, shapes, colours which complement each other. Little pictures. I am calling the series "Songs from the Sea" as they reflect my love of the sea and all things marine, including boats, and also my love of music, both listening to it and playing it. Each composition has a little fragment of sheet music within it. The first six works will be on show during North East Open Studios (NEOS) in September (8th - 16th) - I am exhibiting at the Phoenix Centre at Newton Dee again this year. In the meantime, they are also available for sale here on my website.
Sometimes it is the things you see every day which inspire you. A colour or texture catches your eye, and you're hooked. The itch starts, and you find you have to paint it. Whatever it might be. This happened for me a couple of years ago, when I was working with the lovely Vital Veg at Midmar. Every week I packed beautiful, colourful veg into veg bags for customers. Some of the veg came home with me. And some of that came with me to the weekly art class I was attending.
I wasn't aiming for still life. Nor was I trying to make an exact, photographic image. I was aiming, I think, for a celebration of deliciousness. I laid the veg (the larger the better, some soil was often present too) on a sheet of white paper on the table I was working at, with a large piece of (usually cartridge) paper beside it. I had seen that this was how the wonderful Elizabeth Blackadder paints her gorgeous flowers. I am a great admirer of her work, so off I went...
Another influence fed into this process. A few years ago, I attended a workshop with Sofia Perina-Miller, whose work I also greatly admire. She paints fabulous striking flowers, as well as many other subjects. She showed us how to paint directly onto paper, without doing any initial drawing. This was an entirely new experience for me - and I found that I loved the freedom of it! Instead of feeling constrained by the pencil lines, I was "free" to paint directly, loosely, using vibrant colours, which resulted in more lively work. Sofia usually adds meticulous pen and ink details to her work. I left mine as they were; as I may have mentioned before I have rather limited patience!
There is always a certain amount of fear involved in painting this way. I had to learn to be brave, to trust that the colours I was choosing and the marks I was making were strong and true and confident. This was no time for fiddling around with details and tentative marks. Before I started, I would look carefully at the veg, get a feel for the overall shape and size and proportions, the main colours, the shadows on the paper. Really look, and get a feel for it. It helped to stand up, to have everything I needed to hand and to just do it, quickly. I love this way of working; writing this makes me want to do some more of this kind of work.
Some of my veg paintings are available as digital downloads from my Etsy shop.
Various items (prints, mugs, phone covers, tote bags etc.) sporting my veg paintings can also be found on Redbubble.
All the paintings can be viewed in my gallery (most originals are available)
I am often asked where I get the inspiration for my paintings. The simple answer is that I go out for a wander. I always go armed with my camera. Sometimes, I am caught unawares and will take photos on my phone, if something catches my eye when out and about. I love the response I heard once to the query "what's the best camera to use for taking photos?" - "the one you have with you!" Makes perfect sense to me.
I mainly paint from my own photographs; when I get home I transfer all the photos I've taken onto my laptop, and then print out ones that appeal to me onto A4 paper. I then use those as a reference. I never set out to produce an exact replica of the photo; there will always be omissions or additions, depending on the subject matter, my mood or level of patience on the day! A favourite haunt is Footdee, or Fittie, in Aberdeen; I love the buildings and sheds, and their brightly coloured doors. It's a great source of inspiration. The shed above appealed to me - the photo was taken just a few days ago, with the painting done several years ago. It's had a lick of paint recently!
I based "Fittie Deckchair" on the photo above; missing out the people and using a certain amount of "artistic licence" with colours, composition and construction. Sometimes, I will take photos which I feel work best staying as photos; I'll write about this another time.
Once again, it's time for North East Open Studios. This will be my seventh year taking part! For a change, I will not be exhibiting in the cabin in my back garden (apologies to fans!), instead joining forces with five lovely creatives at the Phoenix Community Centre at Newton Dee in Bieldside in Aberdeen. We are calling ourselves "Art at the Phoenix" and have our own Facebook page. I will have more space to show my work and it will be great to have company during the event. Four of us are artists, with a fused glass maker and a potter adding to the mix. The venue will be open daily from 9th - 17th September, 10am - 4pm. Look forward to seeing you there! I am number 263 in the book; directions to the venue are in my listing.
Art at the Phoenix is part of the Lower Deeside Trail (which I was part of in past years). It lays out 11 venues, featuring 19 artists and makers, within 6 miles of each other. See map below (also available from my Pebbles on the Beach FB page, and the NEOS website).
MBC Art Exhibition
I hope this finds you well and that you have had a good summer. It's hard to believe that it's mid-August already - so next weekend is when the Milltimber, Bieldside & Cults (MBC) art exhibition takes place at the Phoenix Centre at Newton Dee in Bieldside. I will have a few paintings on show, both framed work and mounted and also some of my cards. There is always a great selection of work by local artists.You are very welcome to come along when it's open (see the opening times above). The Milltimber Playgroup mums will be providing teas, coffees and homebakes at the weekend! Hope to see you there.
North East Open Studios (NEOS)
(Saturday 9th - Sunday 17th September).
Just a wee reminder about NEOS. This time, for a change, I will bepart of a lovely group of artists and makers at the Phoenix Centre at Newton Dee in Bieldside. I will have a bit more space than in the cabin, to show my work. The venue will be open 10am - 4pm every day. I am number 263 in the NEOS directory this year. Look forward to seeing you there!
Last but not least ...
I am delighted to be supporting Cornerstone's first ever Art Fair, which will take place on Friday 29th September - Saturday 30th September at the Sir Ian Wood Building at RGU in Aberdeen. They have an Instagram account where you can have a wee preview of the art which will be available to purchase.
Thank you very much for your continued interest and support.
Quite often, I find that I do not end up doing what I set out to do. That doesn't mean that I don't achieve my goal, I just do it a different way. That's my story and I'm sticking to it.
It's a bit like going to the shops to buy bread and milk. Yes, just bread and milk, that's all I need. But do I come home with only bread and milk? Of course not. I'll pick up cheese and avocadoes (if they are on offer), maybe a mango (ditto). And then of course we might be out of oatcakes and pasta and rice. Better pop some in the trolley. And plenty of other unhealthy options which I won't mention here, for fear of giving the wrong impression (moi?).
Or, if I go for a walk in the woods, I won't intend to take photos, but something will catch my eye. Some bright green moss, yellow lichen on a rock, feathery lichen hanging from a branch. So I come home with more than I intended. More images to save and look at again and take pleasure from. I might even pick something up along the way - an interesting twig, some larch cones or a fern frond. A feather.
So it was when I went to art class over on south Deeside the other week. I was planning to paint some landscapes; had printed out photos in my bag to use for inspiration. As I went to load my art kit into the car, I noticed the dead head of a hydrangea (from my neighbour's garden) lying on our drive. Of course I picked it up. It was one of those lacewing ones, with a few lifeless petals clinging on at the edges. It sat on the passenger seat as I drove to my class. When I got there, I could see the remnants of rosebay willowherb beside the track where I park each week. I picked some. I couldn't not pick some. I had always wanted to paint this transitory plant, with its bright pink flowers which turn to bean-like seed pods and then fluffy floatingness. Today was the day. I'd missed the flowers, of course - I'll have to wait a while for those to appear again. What a joy it was to paint these - of course I did a few sketches of the serendipitous Hydrangea head as well.